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Three Nows for Temporal Thinking

January 18, 2013 by Steve Mentz Leave a Comment

This post has been hanging around half-finished since the periodization kerfluffle some time ago. I’ll post it now as a place-holder for more thinking about that slipperiest of temporal modifiers, “now.” As in, right now, exactly now, this particular time — but that just-spoken now is gone & then, not now anymore.

Here are three quick literary markers (hatches?) for thinking the now —

1. Iago’s “now, now, very now” — an erotic, off-stage and unforgettable time, never visible but always happening. Rounding out the familiar line — “An old black ram…” — leads now down so many pathways of human errancy: sex, race, animals, the struggle for dominance…

2. Hardy’s world historical “Now!” from “The Convergence of the Twain”: “Till the Spinner of the Years / Said “Now!” And each one hears, / And consummation comes, and jars two hemispheres.”

3. Borges’s polytemporal “now” from “The Garden of the Forking Paths”: “Then I reflected that everything happens to a man precisely, precisely now. Centuries of centuries and only in the present do things happen; countless men in the air, on the face of the earth and the sea, and all that really is happening is happening to me…” (Labyrinths 20)

 

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Steve Mentz
Professor of English
St. John’s University
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aewaiwhyLei Mai Kahiki Hua 🦉@aewaiwhy·
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@stevermentz 🙏🏾 I ❤️ the work these scholars are doing. Hope these threads encourage folx to seek out their work & the videos when @acmrs_org puts them up in the #RaceB4Race archive. 🙌🏽

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TheatreforaNewATheatre for a New Audience@TheatreforaNewA·
22 Jan

Join us next week for An Exploration of THE MERCHANT OF VENICE with actor John Douglas Thompson in the role of Shylock and director Arin Arbus, joined by a diverse cast, as they explore one of Shakespeare's most controversial plays and its flawed central character.

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