I blog-reviewed eighteen plays or performances (in sixteen posts) this past year, of which ten were early modern plays and seven were part of New Haven’s #artsideas festival. Here’s the year-end summary:
- Theater for a New Audience’s Pericles
- The Strange Undoing of Prudencia Hart (#artsideas)
- Our Ladies of Perpetual Succor (#artsideas)
- Abraham.in.Motion (#artsideas)
- Steel Hammer (#artsideas)
- The Bookbinder (#artsideas)
- The Square Root of Three Sisters (#artsideas)
- Wendy Whalen (#artsideas)
- Tumacho (by Ethan Lipton)
- Cymbeline (RSC)
- Hamlet (RSC)
- The Alchemist and Dr Faustus (RSC)
- The Taming of the Shrew and Macbeth (Globe)
- The Rape of Lucrece (New York Shakespeare Exchange)
- Kings of War (Toneelgroep Amsterdam)
- Coriolanus (Red Bull)
I also wrote a slightly revised and Trump-ed response to the Richard III part of Kings of War, published in Hypocrite Reader as He Must See Ghosts: Richard III, Trump, and the Future
A good year in the aisles.
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